A riveting balletic performance of Ravel’s Bolero, a red carpet heaving with a constellation of ecologically conscious creatives, and a heartfelt speech delivered by Anna Wintour honouring the legacy of the late, great Giorgio Armani were ranked among the night’s defining moments.

_{CNMI Sustainable Fashion Awards: Iman and Matteo Tamburini}

Beneath the decadent neoclassical ceiling of the Teatro alla Scala, iconic supermodel Iman took to the stage to present Tod’s Creative Director, Matteo Tamburini, with the coveted Craft and Artisanship Award. The award is a recognition reserved for those who have showcased a remarkable commitment to promoting Italy’s rich artisanal output, whilst also pushing the envelope for embracing more circular measures in the manufacturing of their designs, a feat accomplished by Tod’s through its Product Digital Passport tool.

Founded in 1920 by Italian cobbler Filippo Della Valle, Tod’s has adopted a forward-facing ethos with its Passport project. Available as an app, it hones in on the house’s hero products, namely the Di Bag and the classic Gommino car shoes.

Interestingly, it harnesses Aura Blockchain technology and an NFC tag to digitally assess the sustainable merits of each product. Simply hold a smartphone close to each leather good and a specialised webpage appears, offering consumers a comprehensive account of its production chain, materials used, and compliance standards met.

“The Tod’s Passport project represents a true revolution in the luxury sector, combining innovation and sustainability into one exceptional product,” said Tamburini upon receiving the award, “It’s our way of looking to the future while never forgetting the roots of our tradition.”

by Ella O’Gorman

The post Tod’s Scoops up Sustainable Craft and Artisanship Award at Milan Fashion Week first appeared on The Glass Magazine.

This exploration of the Spanish Maison’s creative community is explored through dynamic portraiture shot by Arnaud Lajeunie. Portrayed in close-crop or full length, each star comes from a different walk of life, each containing a unique story that creates a scrapbook of artistic sensibilities. Stitching unique stories presents a cool, eclectic background for the AW collection to be presented on.

_{Lesley Manville in the Loewe AW25 Campaign}

_{Felix Kammerer in the Loewe AW25 Campaign}

The campaign stars brand ambassador Jiang Qiming, joined by Raffey Cassidy, who has amassed global praise over her 10-year career; Lesley Manville, who starred in Mrs. Harris Goes to Paris; and Felix Kammerer, who is set to star in Guillermo del Toro’s Frankenstein. Each is shot in voluminous light, wearing woven knits, oversized glasses, and tailored bright coats that stitch together a mix-matched and natural chicness to each.

Within the campaign, the Puzzle, Madrid, Flamenco, and Amazona bags are at the forefront. Each weave of the woven bags is highlighted, and each stitch between coloured panes of leather is shown vibrantly. Here, craftsmanship and attention to detail shine throughout.

_{Loewe AW25 Campaign}

_{Loewe AW25 Campaign}

The Josef & Anni Albers Foundation is a key influence on this collection. The foundation was made to honour Anni and Josef Albers. For those unfamiliar, they were pioneering 20th-century artists whose work, writing, and teaching demonstrably transformed the way that people see colour and the process of art-making. These philosophies greatly influence Loewe’s design practice and continue this legacy within this collection.

Building upon the relationship with the Josef & Anni Albers Foundation, Loewe will support Les Foyers de Tambacounda. This is a women’s community centre in Senegal established by the Josef & Anni Albers Foundation in close partnership with the non-profit organisation Le Korsa.

The donation hopes to help the local community by supporting local businesses and programs. This will include the growth of Sutura, a local sewing collective; an art programme at the Foyer led by a professor from L’École des Beaux-Arts de Dakar; and the Tire Recycling Project.

By Ellis Dowle

The post Loewe Presents An Eclectic Star-Studded AW25 Campaign first appeared on The Glass Magazine.

_{Snow Goose by Canada Goose}

The campaign, shot by photographer Willy Vanderperre, reinterprets the boundary-pushing spirit of Canada Goose with a modern and somewhat disorienting series of images. Set against a vast desert backdrop, model Lara Stone and an eclectic cast peel back the layers of the clothing, disrupting perceptions of what Canada Goose should look like.

_{Snow Goose by Canada Goose}

_{Snow Goose by Canada Goose}

Pulling from Canada Goose’s 75-year archive, pinnacle outerwear archetypes have been redesigned to adapt to warmer weather, creating body-conscious silhouettes and second-skin fits. Fabrics have become lighter, with nylon shorts and ultra-light rain jackets, while practicality remains intact through large, oversized pockets, as seen in the Edge Pant.

_{Snow Goose by Canada Goose}

Tones of blues and violets contrast against earthy beige and deep green hues throughout the collection, painting a portrait of the earth with the garments. Movement is portrayed through bold graphics, as seen on the Dawn Crew, which cuts through the stillness presented in Ackermann’s pursuit of human serenity within nature.

by Ellis Dowle

_{Available from the 12 June 2025 in-store and online.}

The post Haider Ackermann releases second Snow Goose by Canada Goose capsule first appeared on The Glass Magazine.

Fabric as a Foundation of Style

Fabric is the silent architect of every outfit. It sets the tone and defines the overall aesthetic of a garment. Soft, flowing materials like silk or chiffon exude elegance and grace, often favored in evening wear and formal attire. Structured fabrics such as denim or tweed convey a sense of ruggedness or professionalism, making them staples for casual and work wardrobes. The same dress silhouette, when created with different fabrics, can produce vastly different vibes, from laid-back to luxurious. When building a personal style, consciously choosing fabrics that align with your desired aesthetic can help create a cohesive and expressive wardrobe. Understanding how texture, drape, and weight affect appearance allows fashion enthusiasts to take more control of their style narrative.

Comfort and Functionality in Everyday Wear

When choosing clothing for daily use, comfort and functionality are key factors heavily influenced by fabric choice. Natural fibers like cotton and linen are breathable and soft, making them perfect for all-day wear, especially during warmer months. For example, dresses made from lightweight cotton allow air to circulate freely, keeping you cool and comfortable without sacrificing style. Synthetic fabrics such as polyester offer durability and moisture-wicking properties, which are ideal for active lifestyles or cooler weather. The right fabric balances ease of movement, temperature regulation, and skin sensitivity, ensuring your clothes look good and support your everyday activities with practicality and comfort.

Fabric and Sustainability Considerations

The impact of fabric on sustainability is increasingly shaping fashion decisions. Shoppers are becoming more mindful of the environmental footprint of their wardrobes. Fabrics like organic cotton, hemp, bamboo, and recycled polyester are often chosen for their lower impact on the planet. These materials typically require less water, fewer chemicals, and offer better biodegradability than conventional textiles. Fast fashion, often reliant on cheap, synthetic fabrics, contributes heavily to waste and pollution. By understanding the origins and environmental costs of different fabrics, consumers can make informed choices that align with their values. Fabric selection is no longer just a matter of comfort or aesthetics, it is also a statement of environmental responsibility.

Durability and Long-Term Value

Another key influence fabric has on fashion decisions is its role in garment longevity. High-quality fabrics tend to resist wear and tear better, hold their shape longer, and maintain color after multiple washes. Investing in well-made pieces constructed from durable fabrics like wool blends, quality cotton, or linen can lead to a more lasting and cost-effective wardrobe. Garments made from lower-grade synthetics may initially look appealing but often degrade quickly, leading to frequent replacements. For those who prioritize timeless fashion or minimalist wardrobes, fabric quality directly affects the long-term value of each piece. Understanding how to evaluate fabric durability can help consumers make smarter investments and reduce their overall consumption.

Fabric plays a powerful, often underestimated role in shaping our fashion choices. From influencing style and comfort to aligning with sustainability goals and determining garment longevity, it is the foundation upon which every fashion decision is built. By becoming more aware of how fabric affects our clothing, we can create wardrobes that not only look good but also feel good, last longer, and reflect our values.

The post Understanding the Impact of Fabric on Your Fashion Decisions first appeared on The Glass Magazine.

_{DL1961 Resort 25}

Now, for its Resort 2025 collection, DL1961 underscores its commitment to responsible fashion with the use of of eco-friendly materials, such as certified cotton, Recover fibres, and Tencel Lyocell and employing laser and ozone technologies to create dynamic, low-impact washes – reflecting its ongoing dedication to reducing environmental impact.

_{DL1961 Resort 25}

Showcasing a blend of refined design, versatile fits, and sustainable innovation the line offers transitions pieces, taking the wearer from winter to warmer months, offering a curated selection of items that can be interchanged, and worn with current wardrobe staples.

When it comes to the palette, expect punchy blue washes, soft gray tones, earthy beige hues, and classic pinstripes applied to signature pieces like the Hepburn Wide Leg and the Jodie Trucker, which has been elegantly updated with intricate hand-beaded floral embellishments – adding a touch of glamour to everyday denim. These sit alongside go-to pieces, cue the Zoie Wide Leg Relaxed with a contoured waistband for maximum flattery, and two new silhouettes: the Bustier and Vest Dress.

_{DL1961 Resort 25}

_{DL1961 Resort 25}

There’s new fabrications too, with its lightest material yet, meet the DL Aura, which is crafted from a blend of certified cotton and Tencel Lyocell, for a lightweight, and comfortable denim. This materials is also used for the Isabel Mid Rise Wide Leg 32” and Montauk Long Sleeve Shirt, which make use of the the new fabric tech in a vibrant North Beach hue.

Of course, this joins the fabric family of Instasculpt, that combines high-retention elastane with a precise, contoured fit pattern to smooth, lift, and sculpt the body; the best-selling, and ultra-soft DL Ultimate; and DL Airbrushed that uses stretch technology with certified cotton for a sculpted silhouette.

_{DL1961 Resort 25}

Channelling the head-to toe-dressing approach, this season DL1961 also introduces a curated selection of sets and dresses – wear as a coordinated ensemble for a polished look or intersperse with wardrobe staples. From elevated casual styles to more refined options, they’ve been thoughtfully designed to enhance your existing wardrobe, doubling down on its sustainable ethos.

by Felicity Carter

_{See more on DL1961.com.}

The post Sustainability-focused brand DL1961 debuts Resort 2025 collection first appeared on The Glass Magazine.

_{INUIKII x KA-YO}

An outdoor shoe with a platform sole, along with a robust Vibram outsole, orange accents, and functional details, the KEBNEKAISE combines the best of both brands, balancing of functionality and fashion.

On the collaborative line, Marc Nylander, CEO and founder of KA-YO says, “I had a clear vision in my mind to merge the worlds of INUIKII and KA-YO, but since product development within the footwear category is a very complex process – I was very uncertain whether this could be realised or not.”

_{INUIKII x KA-YO}

He continues, “Working with the extremely talented design team at INUIKII over the past year, to make a vision become a pair of shoes, have been very inspiring from the start. On top of this beautiful design, KA-YO injects the energy and dynamics necessary to complete the story – and we are super happy with the final result.”

Taking its name from Sweden’s highest mountain, Kebnekaise, this shoe sets high standards for design and fabrications, thanks to its Vibram outsole for secure grip, while orange laces give a nod to climbing ropes, and the Primaloft insulation keeps feet warm from the inside out.

_{INUIKII x KA-YO}

_{INUIKII x KA-YO}

On functional footwear, Alessio Maag, Creative Director and Co-founder of INUIKII says, “The collaboration with KA-YO marks an important step for us in expanding into functional wear. Following the introduction of our Mountain line this winter, this limited edition is the perfect product to solidify this segment further. By combining the expertise of KA-YO and INUIKII, we’ve created something truly unique for outdoor lovers — a product unlike anything seen before.”

It was only right then, that the campaign was shot in Kiruna, near the Kebnekaise mountain, in collaboration with local outdoor enthusiast Agnes Maltesdotter.

by Felicity Cater

_{The limited edition KEBNEKAISE is available from today exclusively through INUIKII and KA-YO.}

The post INUIKII and KA-YO launch limited edition style first appeared on The Glass Magazine.

AS RECENT times have proven, we’ve all been caught up in the ‘Scandophile’ wave. To wit—since the stealth wealth trend has become increasingly commonplace among consumers, our wardrobes are decked out in fuss-free offerings, falling somewhere perfectly between a smart and relaxed vein.

Copenhagen’s International Fashion Fair (also known as CIFF) is one such example: designed to showcase the very best of the sustainable designers and apparel from the Nordic region and beyond, the fair has championed an ethically-driven seam ever since its inception that has, in turn, advocated and nurtured key support for brands.

“As an organisation, we always prioritise supporting those talent that are leading the way in designing in a circular manner and highlighting it in the fair to showcase new ways of doing designed for the challenges of today,” opined Sofie Dolva, CIFF’s director.

And as the pursuit for a more circular economy continues apace, her steadfast commitment to improving these green standards comes with a deep know-how of how the region’s potential to keep them on a high.

“Our aim is to share knowledge and facilitate exchange of thinking and ideas between brands helping them to grow and succeed,” she continues, explaining that “Given this we try to take a less prescriptive position than some other organisations on the sustainability criteria required to participate, but instead believe that by including and educating companies in the wider fashion space of the opportunities of more sustainable operations, we can be a part of a greater industry-wide change.” 

_{Sofie Dolva}

Below, Dolva grabs five with GLASS to unpack systemic challenges, expansion plans and future hopes. 

In the face of the current systemic downturns that are quivering the retail and creative landscapes at an increasingly ferocious pace, how has CIFF managed to stay afloat and continue to expand?

I think our resilience is due to a combination of factors, but at the forefront of this is our continued focus on fostering a sense of community around what we do. During difficult times there’s a tendency for brands to draw back and become more isolated, but we believe in the opposite and that through cooperating and coming together we become a whole that’s stronger than the sum of its parts.

We stay agile and able to adapt to the different needs of businesses as the market environment changes. This is most noticeable through our move from a biannual fair to a 365-business partner, building bridges with key partners and fashion capitals including Pitti in Florence, Milan Fashion Week and the CFDA in New York. This shift in the role we’re able to fulfil in supporting brands, going from platform to strategic business partner, has been a huge positive in nurturing dynamic relationships across our brand community.  

_{CIFF Village}

How has the fair evolved over the years, and where do you see it leading to?

We plan to keep developing and investing into becoming an all-around strategic partner for businesses and see the space for us to better support brands, buyers, and media with more services. We’re currently working on what a 2.0 trade platform could look like that allows us to better connect through the year and build on our strong community. It’s always exciting to take the time to think without limits on what could be and look creatively at challenges and opportunities today and into the seasons ahead. 

What’s been the toughest challenge that fair has had to face since the pandemic?

It goes without saying that stripping the show back to basics and having to manage reduced visitor numbers in the immediate aftermath of the pandemic was a huge challenge, but one we’re relieved to have overcome and through hard work and commitment have built a bigger, better, stronger, more resilient platform than ever. I think wherever there are challenges, there are opportunities, and things are always in flux – but this was exacerbated through the pandemic and post-pandemic world.

The pandemic had a hugely destabilising effect on so many industries, and in the years that have followed, we’re all trying to make sense of a world where things just don’t happen in the same traditional and uniformed ways that they used to. It’s in this difference of mindset that I think the greatest challenges, and opportunities, are faced – and we continue to approach the changing industry landscape with creativity, ingenuity, and originality. 

The Nordics have played a pivotal role in sustainability over the past few years, and the fair – coupled with Copenhagen Fashion Week – has had a huge impact on a global scale. What tangible measures does CIFF implement when picking designers? 

As an organisation, we always prioritise supporting those talents who are leading the way in designing in a circular manner and highlighting it at the fair to showcase new ways of designing for the challenges of today. We aim to share knowledge and facilitate exchange of thinking and ideas between brands helping them to grow and succeed.

Given this, we try to take a less prescriptive position than some other organisations on the sustainability criteria required to participate, but instead believe that by including and educating companies in the wider fashion space about the opportunities for more sustainable operations, we can be a part of a greater industry-wide change.

Change doesn’t happen overnight and takes time and resources. We’re proud to hold hands with our brands as they navigate this and support them with access to resources and knowledge to smoothly assist those who require it in transitioning to become businesses which are sustainable in terms of their human and environmental impact, but also sustainable commercially. 

_CIFF

What major shifts have you noticed – from a sustainability perspective – over the last few years through directing CIFF and far beyond?

One really visible change we see is the level of waste being created by the builds in the show in general. The level of waste after the fair would be significant with many brands using single-use builds. Now their approach has changed and instead of building from new and scrapping, almost everything used is either from their own showrooms or rented and able to be re-used in the future.

From our side, we always aim to think sustainably about everything that we do, from solar panels on the roof of the Bellacenter to how we’re managing food waste, and how we can build the most exciting show experience for exhibitors and guests in the most sustainable and conscious manner possible. 

What are this season’s key highlights, and why?

This season you’ll see a lot more activities including concerts, more hospitality options, a tea saloon, an indoor basketball court, and a huge closing dinner and party for our 63rd edition. Why? We want people to feel inspired, mingle, and experience CIFF as more than just halls full of logos and racks. 

What’s the short (and long) term goal of the fair?

Our short and long-term goal is the same, we want to help the brands expand their businesses and we want to be a go-to platform for buyers. The main difference between the short-term and long-term will be the how. We’ll need to adapt and provide in a more future-proof way.

What are you most hopeful for this coming season?

My biggest wish is that the energy will be positive and optimistic and that we’ll see buying patterns start to rebound. It’s much needed across our industry right now.

by Chidozie Obasi

The post Green state of mind – Glass speaks to CIFF’s Sofie Dolva first appeared on The Glass Magazine.

Modelled by globally recognised model, actress and eco-activist Cara Delevingne and shot at South London’s recycling plant, Veolia, the campaign message is of importance as it speaks of the beauty one can find beneath waste as a means of promoting circularity and sustainable methods in fashion.

Delevingne’s contributions to eco-activism — her being a trustee of EcoResolution and founder of Initiative Earth — assured her fit for the campaign was ideal.

_{Stella McCartney SS24}

The fashion trade continues to speed up, as it gets faster and faster each year, championing the industry as one of the most unsustainable and environmentally damaging businesses to practice.

Stella McCartney has always investigated and continues to explore new ways in which fashion can be more sustainable, such as the brand’s commitment to utilising recycled cashmere and Econyl regenerated and recyclable nylon as a means of lessening the amounts of materials that end up in landfills. A riveting practice the brand carries out is the use of apple and grape waste from Veuve Clicquot’s harvest to create vegan supplements to leather.

Building on sustainability in fashion, the brand participates in take-back schemes and also brought out a parka last year employing BioPure technology, which merges enzyme-based biological recycling with AI to fabricate a sustainable polyester.

The collection merges gender and generation with various silhouettes representing a reinterpretation of pieces from Stella’s archive alongside the garments she borrowed from her parents, which now have been passed down to her own children.

Major themes throughout the Summer 2024 collection are texture, proportion and ornamentation with features of Savile Row tailoring, organic cotton-made denim, day-to-night dresses and new interpretations of the vegan ‘it’ bag, the Falabella tote, which celebrates its 15th anniversary this year.

by Nicole Pereira

The post Sustainability leads Stella McCartney’s SS24 campaign featuring Cara Delevingne first appeared on The Glass Magazine.

Set in the heart of the Tortona Fashion District, WHITE’s impressive schedule of events, collaborations and innovations resulted in an eclectic display of fashion’s finest.

_{WHITE Milano}

At the trade fair, over 300 brands opted to present their autumn-winter 2024 collections. The Secret Rooms – five hidden spaces where international designers exhibit their collections – were particularly a success. PROTOTYPE:AM, Alberto Ciaschini, YANGKEHAN, Samanta Virginio and MIAORAN all captivated the attention of onlookers with their innovative ensembles.

Speaking on the curation of brands, Simona Severini, general manager of WHITE said: “Never as in this edition has the content-container combination been perfectly represented. The content, given by the brand mix of the collections presented, clearly expressed WHITE’s desire to dare, to tell emotions and launch messages. It did so fearlessly, exclusively selecting collections that represent our DNA and leaving out more obvious choices that favour a seemingly more attractive market.”

_{Miaoran Studio}

Similarly, WHITE’s collaboration with Kfashion82 – a Korean B2B platform owned by SHINSEGAE attracted much attention. Thanks to the partnership, six upcoming Korean designers -RYU CLASSIC, JIMINLEE, Liberadd, HANNAH SHIN and MAN.G – were able to present their collections.

Further international appeal was created with the arrival of many Spanish designers. Covering clothing and accessories, WHITE joined forces with ICEX España Exportación and Inversiones to welcome Toral, Henry Arroway, Chie Mihara and many more.

Echoing the holistic success of the event, WHITE Village had a sparkling turnout. Working alongside companies such as Albini Group, Mesmerize, BioQitchen, MTV Italia and more, the schedule was full of exciting events.

_{WHITE Milano}

Proving to be a cultural epicentre for fashion lovers across the world, WHITE continues to be an unmissable display of fashion expertise.

by Sophie Richardson

The post WHITE captivates an international audience with its 2024 showcase first appeared on The Glass Magazine.

_{Cecilie Bahnsen x Nona Source}

Made from the materials from Nona Source’s archives, who are the key suppliers of circulating deadstock fabrics to luxury brands and professionals, the pair have unveiled a collection of five styles – the Vanessa Top, Alberte Top, Vanda Dress, Verona Dress and Virginia Trousers.

_{Cecilie Bahnsen x Nona Source}

_{Cecilie Bahnsen x Nona Source}

Utilising a spectrum of textures from sheer organza to crisp cotton to thick denim, the two delved into this collaboration bringing the classic Cecilie Bahnsen voluminous shape and subtle palette to life through referencing early collections from the brand and also allowing room for interpretation in the capsule.

by Imogen Clark

Available here

The post Cecilie Bahnsen launches capsule using Nona Source’s archives first appeared on The Glass Magazine.

Since 2022, Canada Goose has collaborated with many Central Saint Martins students. For example, the brand launched the inaugural HUMANATURE Award for Responsible Design, which aims to encourage sustainable practices for a better future.

Now, the new partnership has conceived a first-of-its-kind project that unites Central Saint Martins’ MA Fashion and MA Material Futures courses. Combining science, technology, design and fashion, the project aims to create new materials which will, in turn, revolutionise the industry.

_{Design by Chie Kaya, Canada Goose HUMANATURE Award for Responsible Design winner 2023}

The HUMANATURE Award for Responsible Design will also be making a poignant return for this year’s MA Fashion students. The 2024 winner will be announced at Central Saint Martins MA Fashion Show – which is also sponsored by Canada Goose and will be taking place on February 16^th.

“This partnership represents a powerful opportunity to support upcoming talent, further innovating in design, and drive purposeful change from a grassroots level,” explains Juliette Streichenberger, president of EMEA & CGAG at Canada Goose. “We are thrilled to have the opportunity to work with such a world-renowned design school to develop exceptional, emerging talent who have unparalleled potential to not only support us in our commitment to keep the planet cold and the people on it warm, but to truly propel the fashion and design industry forward.”

Primed for action and change, the partnership is certain to innovate and reinvent current industry standards.

by Sophie Richardson

The post Canada Goose and Central Saint Martins reunite for multi-year partnership first appeared on The Glass Magazine.

Founded by Dominic Ciambrone, Surgeon is an LA-based shoe collective focusing on creating timeless and also unique shoe designs. Joining forces with Canada Goose, the two have released a limited-edition reinterpretation of the Glacier Trail Sneaker.

Originally designed with a crisp white upper, black laces and a midsole inspired by the shape of wind-blown snow drifts, the shoe consisted of a very monochromatic colour palette.

Now, the Glacier Trail Sneaker has been reimagined and features a kaleidoscope of earth tones and bold pops of colour.  Inspired by various hues of the 1990s, the shoes showcase hints of orange, khaki green, delicate turquoise and also a deep, electric blue.

_{Canada Goose x Surgeon}

Additionally, the shoe has been constructed with comfort and protection in mind. Utilising fully waterproof and breathable technology, the sneaker is ideal for those venturing out on the most elusive hiking trails. Similarly, the sneaker is built to endure snow, rain and sun, which demonstrates the versatility, adaptability and capability of the design.

_{Canada Goose x Surgeon}

Speaking on the collaboration, Ciambrone said: “Nature has always played a large role in my wellbeing and is a constant inspiration throughout our design process. With Canada Goose venturing into footwear, it was exciting to repurpose their signature materials onto a sneaker and have fun with the design.”

by Sophie Richardson

_{The Canada Goose x Surgeon Glacier Trail Sneakers are now available at www.thesurgeon.com while stocks last.}

_{Furthermore, for those interested in a bespoke pair, an auction is taking place at www.biddingforgood.com until November 17^th.}

_{All proceeds will be going to Polar Bears International – a group of conservationists, scientists and volunteers working to secure a future for polar bears across the Arctic.}

The post Canada Goose joins forces with Surgeon to reimagine the Glacier Trail Sneaker first appeared on The Glass Magazine.