_{Richard Mille RM 63-02 Automatic Worldtimer Limited Edition}

Designed for travelers, the RM 63-02 simplifies time zone changes with its world-time function, which is set via the bezel rather than the crown. Turn the red gold bezel and the time adjusts instantly to match your chosen city, and the result is practical, refined, and true to RM’s mechanical know-how.

The case combines satin-finished 5N red gold and grade 5 titanium in a rounder shape than most Richard Mille pieces, which sits comfortably on the wrist, with the curved caseback adding to the fit. This is set against detailing such as the 24-hour flange for day and night, and the finishing of its 106 components, again, highlighting the precision behind the design.

_{Richard Mille RM 63-02 Automatic Worldtimer Limited Edition}

_{Richard Mille RM 63-02 Automatic Worldtimer Limited Edition}

Inside is the CRMA4 calibre, an in-house automatic movement with a 50-hour power reserve, its titanium baseplate and bridges treated with black rhodium and brushed to create a subtle contrast. The large date at 12 o’clock and the function selector at 4 o’clock add both utility and balance to the dial, while the finishing, from the polished edges to the brushed and micro-blasted surfaces, reinforces the care, consideration, and craftsmanship that goes into every piece.

by Felicity Carter

See more on richardmille.com.

The post Richard Mille launches the RM 63-02 Automatic Worldtimer Limited Edition first appeared on The Glass Magazine.

The iconic American brand will feature its legendary jewellery in Guillermo del Toro’s Frankenstein, starring Glass Man cover star Felix Kammerer alongside Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz. The film premiered at the Venice Film Festival and will be released in select theatres on 17 October, before streaming globally on Netflix on 7 November.

_{FRANKENSTEIN. Mia Goth as Elizabeth in Frankenstein. Photograph: Ken Woroner/ Netflix © 2025}

The film has already been praised for its striking costume design. Bold blue feathers work as bold head pieces and adorn dresses of silk and linen, while blue-gemmed necklaces glint as symbols of old-money wealth and legacy. Costume designer Kate Hawley has clearly emphasised decadence to help tell the story, and Tiffany & Co. provides the perfect complement. The brand’s iconic jewellery reinforces the film’s visual narrative, bringing glamour, history, and artistry to every scene.

This collaboration brings together Tiffany & Co.’s heritage of craftsmanship with del Toro’s cinematic imagination. A five-minute feature offers behind-the-scenes insight into how the House’s jewellery archives and historical objects were woven seamlessly into the film’s creative vision. Guillermo del Toro, Kate Hawley, actress Mia Goth, and Tiffany & Co.’s Vice President and Creative Director, Christopher Young, all share their perspectives in the feature, highlighting the artistry and precision that make Tiffany & Co. a natural fit for the story.

_{Tiffany & Co. Favrile Glass Scarab Necklace}

To celebrate the premiere, Tiffany & Co. has unveiled immersive window displays at its Fifth Avenue flagship, The Landmark, in New York City. Each of the five windows reimagines key scenes from Frankenstein through the lens of the House’s signature artistry.

Dramatic lighting and synchronised digital screens bring the scenes to life, while a QR code allows visitors to access exclusive behind-the-scenes content. Inside The Landmark, a curated presentation showcases jewels from the Tiffany Archives worn by Mia Goth, giving audiences an intimate look at the pieces that helped bring del Toro’s vision to the screen.

_{Tiffany & Co. Wade Necklace}

In London, the collaboration continues with Frankenstein: Crafting A Tale Eternal at The Old Selfridges Hotel. The exhibition recreates archival Tiffany & Co. objects on original costumes and features artefacts, artwork, and rare books celebrating Mary Shelley’s legacy.

With more than 300 stores worldwide and nearly 5,000 skilled artisans, Tiffany & Co. continues to combine luxury, creativity, and craftsmanship, proving that its jewellery can shine not only on the red carpet but also on the silver screen.

by Ellis Dowle

The post Tiffany & Co. Unveils Jewellery Collaboration for Guillermo del Toro’s Frankenstein first appeared on The Glass Magazine.

Through hours of intimate and exclusive interviews, writer Tina Isaac-Goizé captures Hannah Martin’s deeply personal journey. It is one marked by both pain and triumph. The book chronicles two decades of relentless creativity, illustrating years of hard work while spotlighting Martin’s unique processes, inspirations and unwavering vision.

From East London’s underground music scene of sweaty mosh pits to the haute joailleries of Paris’s Place Vendôme, the story traces a path of self-discovery that lead to bold and uncompromising jewels.

_{Hannah Martin Iconoclast Book}

With a keen eye for style and storytelling, Tina Isaac-Goizé is a Paris-based journalist and author who has spent years exploring fashion, craftsmanship and culture. A regular contributor to The New York Times and Vogue.com, she brings her warmth and curiosity to Iconoclast, revealing the creativity, chaos and charm behind one of jewellery’s boldest voices.

_{Hannah Martin Iconoclast Book}

_{Hannah Martin Iconoclast Book}

Martin discovered her spark for jewellery while studying sculpture at Central Saint Martins nearly twenty-five years ago. After founding her eponymous brand in 2006, she quickly became known for her boundary pushing approach, creating pieces that fuse gender fluid design with the precision and preciousness of fine jewellery. Her work has since adorned FKA Twigs, Madonna, Cara Delevingne, Morrissey and Rihanna.

_{Hannah Martin Iconoclast Book}

Entirely self-funded and fiercely self-sufficient, Hannah continues to create from her East London workshop, crafting exquisite pieces coveted by both men and women. Hannah Martin London stands as a testament to success achieved without compromise, a shining example of creativity and authenticity triumphing over industry norms.

In a world dominated by deep-pocketed luxury conglomerates, Martin represents a different kind of modern luxury: independent, rebellious and unapologetically original.

by Ellis Dowle

The post Hannah Martin Celebrates 20 years with Iconoclast Book first appeared on The Glass Magazine.

With its oval shape, screw motif and secure clasp, this radical design became a manifesto for a new kind of love: one that was both modern and daring. Now, more than half a century later, Cartier has once again reinvented the language of romance with the LOVE Unlimited.

^{Cartier LOVE Unlimited}

Sleek, ergonomic and sensually precious, the LOVE Unlimited bracelet embodies the craftsmanship and audacity that the French jewellery house has become synonymous for. Unlike the rigid oval silhouette of the original design, this new flexible bracelet wraps around the wrist like a second skin. Each gadrooned link is punctuated with Cartier’s hand-polished signature screws, creating a captivating rhythm of light and texture.

^{Cartier LOVE Unlimited}

The innovation is spearhead by a patent-pending invisible clasp system that literally fuses into the bracelet, leaving only the illusion of an endless golden ribbon. Made of more than 200 specifically miniaturised components, the bracelet flows seamlessly, eliminating cuts or links for maximum comfort and suppleness. Available in white, yellow or rose gold, LOVE Unlimited can be worn alone or stacked with other variations.

^{Cartier LOVE Unlimited}

For those who wish to carry the sentiment beyond the wrist, Cartier has also created the LOVE Unlimited ring – a smaller, yet equally striking interpretation that mirrors the gardons, screws and dazzling fluidity of the bracelet.

With its blend of technically mastery, sensual elegance and timeless symbolism, the LOVE Unlimited line marks a new era for Cartier’s most iconic collection.

by Imogen Clark

The post Cartier Launch New Collection: LOVE Unlimited first appeared on The Glass Magazine.

As of mid-2025, men’s fashion is enjoying a rare moment of stability. Instead of wild new fads, the focus is on timeless pieces and subtle luxury. Fashion is fickle – what’s “in” one day can be “out” the next – but style is enduring. Right now, well-dressed men are relying on classic essentials that never go out of vogue: think quality navy suits, white shirts, dark denim and fresh white sneakers, all foundation pieces that keep you looking sharp year-round. The mood is all about quiet luxury – understated excellence without flashy logos. Accessories reflect this steady vibe too. A timepiece like the Rolex Sea Dweller as a statement fashion piece remains perennially popular, often fetching five-figure prices on watch marketplaces. Rather than chasing gimmicky “it” items, many men are investing in heritage watches and other pieces that hold their value (and polish off an outfit nicely).

Even style advice these days emphasizes getting the basics right. Fashion writers (like the wonderfully acerbic DieWorkWear on Twitter) encourage men to prioritize fit and quality over fast thrills. In another well-known recent guide, men are yet again urged to “invest in high-quality pieces… that will stand the test of time,” leaving fast-fashion quick fixes behind. Building a confident look is perfecting the fundamentals of one’s wardrobe, not necessarily being a peacock. It’s a calm, classic moment – the menswear equivalent of clear skies.

Yet this stability may be short-lived. The industry is buzzing with an unprecedented shuffle of creative directors at major fashion houses – a sign that seismic change is coming. In Paris, Dior has tapped British designer Jonathan Anderson to take over menswear (as well as womenswear and couture) after years of Kim Jones’s tenure. Anderson’s known for his playful, artful touch at Loewe, so his Dior debut could bring a jolt of fresh energy and new silhouettes to men’s high fashion. So his baton at Loewe passes to the acclaimed duo from Proenza Schouler, likely heralding a blend of Spanish craftsmanship with New York cool in their upcoming collections. Also to watch: ex -Sportmax designer Miguel Castro Frietas’ Mugler, Mark Thomas’ Carven, Duran Lantik at Jean-Paul Gaultier and Pierpaolo Piccioli’s Balenciaga, all of whom are starting with their Women’s Ready To Wear collections next month. Glenn Marten’s Margiela and Michael Rider’s Celine may drop unisex pieces this Paris too like their predecessors. And will Mathieu Blazy’s Chanel cause menswear tremors too?

Milan is seeing its own upheaval: Donatella Versace has stepped aside, with Dario Vitale (a Miu Miu alum) now installed as Versace’s creative chief. It’s the first time in 47 years someone outside the Versace family leads the brand – a truly historic changing of the guard. Observers expect Vitale to respect Versace’s sexy, maximalist heritage but also infuse contemporary twists from his avant-garde background. Likewise at Bottega Veneta, a new creative vision is taking shape under designer Louise Trotter. More changes afoot too at Jil Sander with Simone Bellotti (ex-Bally) and Marni with Meryll Rogge. However the earthquake will be Demna Gvasalia’s New Gucci who will release a sneak peek of his vision next month with a full collection next March.

All told, nearly every big-name label is bracing for a reboot. As these new designers unveil their first collections in the next few months, men’s style could shift dramatically. We may see the reign of safe neutrals and quiet luxury give way to bolder statements, innovative tailoring, or a revival of opulence. For now, men’s fashion is enjoying a steady groove, but it truly feels like the calm before the storm. By this time next season, the style status quo may well be overturned – so watch this space.

The post The calm before the storm: Men’s fashion now and its future first appeared on The Glass Magazine.

Martin, who founded her eponymous brand in 2006, and has been commissioned to create fine jewellery for the likes of Louis Vuitton and Chaumet, offers a new line of empowering statement necklaces and rings that entice the wearer ‘to feel, to love, to live life to the fullest.’

_{Hannah Martin The Perfect Drug [02]}

The latest collection comprises 28 unique pieces. It not only contains thematic links to youth culture, live music and political turmoil, but also seeks to inspire moments of elation and experience through bridging a utilitarian design sensibility with meticulous jewellery engineering.

Explored through custom-designed hinges, studs and soft, distinctive curves, this collection fuses glamour with an unapologetically punk-ish, subversive feel. Grit and sensuality are also at its heart, with references borrowed from acclaimed photographer Robert Mapplethorpe and the queer erotic art produced by Tom of Finland.

_{Hannah Martin The Perfect Drug [02]}

The campaign, lensed by photographer Stewart Baxter at Jumbo’s Clown Room in LA, hones in on this gritty and audacious approach. Rebellious, voluptuous necklaces also punctuate the collection, ranging in price from £630 to £27,000.

by Ella O’Gorman

The Perfect Drug [02] will be available from September 2025 at the Hannah Martin London showroom, HannahMartinLondon.com and selected international retailers.

The post Inside Jeweller Hannah Martin’s The Perfect Drug [02] Collection first appeared on The Glass Magazine.

_{Monica Vinader Nomade Collection}

Fifteen years later, that philosophy remains intact as the brand now works exclusively with 100% recycled precious metals and ensures full traceability throughout its supply chain. Pieces are designed to be lived in and layered, and in keeping with this ethos, the brand has launched its latest collection, meet Nomade.

Tapping into the beauty of the natural world, the line is inspired by dunes, wind-shaped rocks and clay formations, and plays with sculptural forms and organic silhouettes. The focus here is on texture, contrast, and fluidity, with smooth gold surfaces set against pearls.

_{Monica Vinader Nomade Collection}

_{Monica Vinader Nomade Collection}

There is a wide mix in the lineup, from sculptural hoops, drop earrings and huggies to pendant necklaces, chunky rings, soft-link bracelets and curved bangles. Pieces are cast in recycled 18kt gold vermeil and designed to move with the body for a laid-back feel.

by Felicity Carter

See more on monicavinader.com.

The post Monica Vinader walks on the wild side with the new Nomade collection first appeared on The Glass Magazine.

An immortal love letter to the city of Rome, the 2025 High Jewellery collection, designed by Delfina Delettrez Fendi, draws inspiration from both the ancient and modern foundations of the Eternal City.

_{Fendi Eaux d’Artifice Anniversary Necklace}

The collection features three unique parures, three exceptional cocktail rings, and a singular, namesake centennial necklace. Each is a monochromatic expression of exceptional gemstones and diamonds, meticulously crafted in the High Jewellery ateliers in Paris.

The collection creates a dialogue between Italian classicism and Eaux d’Artifice, a 1954 short film by American avant-garde filmmaker Kenneth Anger. In this conversation, FENDI reimagines the fountain as a symbol of fluidity, mystery, and architectural grandeur. A reflection of the world and the ever-changing light of Rome.

The collection’s palette mirrors the vibrant natural beauty found around Rome’s iconic fountains: watery blues represented by sapphires; fiery hues and glowing sunsets captured through spinels and topazes; and the deep, lush greens of Colombian emeralds evoking moss-covered stone basins.

_{Fendi Eaux d’Artifice Ovato Ring}

_{Fendi Eaux d’Artifice Sunset Alba Ring}

At the heart of the collection is the centennial necklace. A masterwork of symmetry and craftsmanship, it features an extraordinary 20.25-carat cushion-cut Fancy Vivid Flawless Yellow diamond, set on the diagonal within a cascading fountain-inspired design. Surrounding the central stone, 100 pear-shaped yellow diamonds shimmer like droplets of light, each representing a year in the House of Fendi’s storied history.

_{Fendi Eaux d’Artifice Cento Necklace}

_{Fendi Eaux d’Artifice Cento Earrings}

With Eaux d’Artifice, Fendi transcends traditional high jewellery to create a poetic expression of identity, artistry, and place. Blending Roman heritage with avant-garde imagination, Delfina Delettrez Fendi offers a centennial collection that is both a tribute to the past and a vision for the future. One where craftsmanship flows as effortlessly as water, and every stone tells a story rooted in the eternal beauty of Rome.

by Ellis Dowle

The post Fendi celebrates its 100th anniversary with Eaux d’Artifice High Jewellery collection first appeared on The Glass Magazine.

Reflecting the Maison’s deep connection to nature and exceptional craftsmanship, this collection embraces the grace of all flowers through vibrant compositions that highlight Van Cleef & Arpels’ expertise in gemstones and savoir-faire.

_{Van Cleef & Arpels Fleurs d’Hawaï}

_{Van Cleef & Arpels Fleurs d’Hawaï}

Focusing on the Flowerlace collection, these pieces sketch the outline of openwork corollas, referencing the silhouette clips created by the Maison in the late 1930s. These designs reflect the formal style of the Art Deco movement. The sophistication and radiance of yellow gold, combined with the sparkle of diamonds, express the vibrant beauty of nature so cherished by the Maison. The fusion of these two elements—nature and couture—evokes an ethereal elegance.

_{Van Cleef & Arpels Fleurs d’Hawaï}

The second collection, Fleurs d’Hawaï, is inspired by the colours and hues of a vibrant garden bursting with vitality. To reflect this, fine stones adorn earrings, rings, pendants, and watches.

Five gemstones are used: citrine for its bright, joyful yellow; amethyst for its captivating purple tones; rhodolite for its deep pink hue; peridot for its spring-like green; and aquamarine, characterised by its crystalline luminosity. Together, they bring out beautiful highlights in the diamonds that lie at each centre.

_{Van Cleef & Arpels Fleurs d’Hawaï}

For example, the three Fleurs d’Hawaï secret watches offer a dazzling setting to watch the passing of time. Twelve perfectly pear-cut stones bloom around a mother-of-pearl dialled edge, with tiny fine diamonds.

A pear-cut diamond at 12 o’clock is concealed behind a sparkling pivoting motif, nodding to the Maison’s taste for a mystery. The ice enlivens the wrist using citrine, yellow gold, rhodolite rose gold, aquamarine and a white gold strap that is paired with each piece.

These collections immortalise the beauty of flowers in stone, while celebrating their untamed charm. Each piece is a testimony to their eternal source of inspiration and quality craftsmanship that expresses the Maison’s vision of life.

by Ellis Dowle

The post Van Cleef & Arpels celebrates the beauty of flowers with Fleurs d’Hawaï collection first appeared on The Glass Magazine.

Today, Brilliant Earth has launched its Signature Collections campaign that’s a celebration of craft, detail and nature-inspired design that sits at the heart of some of the most beloved pieces. Centred around the idea of the modern heirloom, the campaign showcases the brand’s designers and their ability to translate natural forms into refined, wearable works of art. 

_{Brilliant Earth Signature Collections}

Styles include the Freesia, a sculptural solitaire with a tapered band and tulip-inspired prongs, along with the Nadia and Melody styles that reimagine the classic cluster with mixed-shape diamonds and leaflike curves framing the centre stone. 

Then there’s the Aimee, the brand’s slimmest design to date, featuring diamonds set like floating lights along a fine, minimalist band, and Versailles draws on regal influence, with metalwork that creates the illusion of suspended diamonds. 

_{Brilliant Earth Camellia}

Keeping with the natural theme, Secret Garden leans into organic forms with marquise accents that suggest climbing leaves, while Camellia reflects the symmetry and balance of its floral namesake. Finishing off the collection is Olivetta, where round and pear-shaped diamonds intertwine in a pattern that alludes to Mediterranean olive branches.

_{Brilliant Earth Olivetta}

_{Brilliant Earth Secret Garden}

The idea for Brilliant Earth came about in 2004 when co-founder Beth Gerstein set out to find an engagement ring that was not only beautiful but also ethically made, sustainable and fully traceable. Frustrated by the lack of options, she partnered with Eric Grossberg, and together they launched Brilliant Earth a year later, Gerstein, now CEO says: “We started Brilliant Earth in 2005 to raise the ethical standards of the diamond industry and to create a new way to buy beautiful fine jewellery.”

Now, two decades later, the brand continues to champion craftsmanship and ethics, and this Signature Collections is the latest in its beauty-meets-purpose approach.

by Felicity Carter

_{See more on brilliantearth.com.}

The post Brilliant Earth launches Signature Collections campaign first appeared on The Glass Magazine.

These sparkly staples earned their name in the ’80s when Chris Evert stopped a match to search for her snapped diamond bracelet, and the rest is history. Whether you’re into the classic diamond look, lab versions or something with a bit more colour, here’s a selection that serves on and off the court.

Boodles – Platinum Diamond Tennis Bracelet

£11,900–£33,900 – Buy here

Astrid & Miyu – Tennis Chain Bracelet in Gold

£105 – Buy here

Mejuri – Patra Diamond Tennis Bracelet

£2,700 – Buy here

Monica Vinader – Gemstone Essential Tennis Bracelet

£298 – Buy here

Tiffany & Co. – Elsa Peretti Diamonds by the Yard Bracelet

£8,375 – Buy here

Monica Rich Kosann – Classic Sapphire Tennis Bracelet

£2,830–£3,040 – Buy here

Swarovski – Emily Bracelet

£85 – Buy here

The Diamond Store – Adjustable Lab Diamond Rub-Over Tennis Bracelet

£299 – Buy here

Rosa de la Cruz – Rainbow Sapphire Tennis Bracelet

£6,900 – Buy here

Philippa Herbert – Tennis Ball Bracelet Pave

Price on request – Buy here

Brilliant Earth – Emerald Cut Diamond Tennis Bracelet

£13,700 – Buy here

by Felicity Carter

The post Glass rounds up the best Tennis Bracelets of the season first appeared on The Glass Magazine.

Blending fine art and high jewellery, the limited-edition collection features 39 handcrafted sculptures created by Arsham Studio in New York City. Each vessel contains an exquisitely crafted necklace in 18k white gold, set with over 1,000 diamonds totalling more than 6 carats and more than 500 tsavorites weighing over 3 carats. The vivid green tsavorites pay tribute to Arsham Studio’s signature colour and echo the rich patina of the bronze sculpture.

_{Daniel Arsham}

The necklace is a modern reinterpretation of a 1971 design from The Tiffany Archives. Merging the artist’s conceptual touch with Tiffany’s heritage, the HardWear collection embodies resilience, freedom, and the emotive power of nostalgia.

The pairing of this contemporary heirloom with the eroded penny vessel references Arsham’s ongoing exploration of cultural artefacts. Drawing from his work, such as the 2013 study of an eroded penny, the familiar object is transformed and repositioned as a relic, inviting viewers to reconsider its meaning and place in history.

This collaboration continues to highlight how Tiffany & Co. and Daniel Arsham are redefining high jewellery by merging art, history, and craftsmanship, creating pieces that feel both timeless and refreshingly modern.

by Ellis Dowle

The post Tiffany & Co. and Daniel Arsham unveil their latest collaboration first appeared on The Glass Magazine.